Prose And Poetry Of England - Parks and open spaces in London

Prose And Poetry Of England - 15 items found

	Antique Vintage Book Prose And Poetry Of England 1955 Delmar Rodabaugh Antiquarian & Collectible $19.99 Best Offer Enabled End time: 18-Jun-12 08:54:49 PDT

	A book of New England legends and folk lore in prose and poetry by Sa 1131134591 Fiction & Literature $30.58 Best Offer Enabled End time: 08-Jun-12 20:26:02 PDT

	Prose and Poetry of England, Delmer Rodabaugh, Agnes L. McCarthy, Good Book Other $6.49 End time: 03-Jun-12 12:51:25 PDT

	PROSE and POETRY of ENGLAND history English literature antique 1935 book illus!@ Antiquarian & Collectible $8.05 End time: 21-May-12 15:49:40 PDT

	PROSE AND POETRY OF ENGLAND, MCGRAW, 1940 HB, ILLUSTRATED BY WISER Fiction & Literature $8.09 End time: 15-Jun-12 16:51:39 PDT

	Prose and Poetry of England Book B The New Series Other $8.49 End time: 11-Jun-12 14:49:38 PDT

	NEW The Beggars of England in Prose and Poetry - Tschop Textbooks, Education $14.44 End time: 28-May-12 05:42:42 PDT

	1943 PROSE AND POETRY OF ENGLAND BY ANSORGE , UCAS , MCCOY , TOWER Antiquarian & Collectible $20.00 Best Offer Enabled End time: 13-Jun-12 12:52:18 PDT

	1955 HB Prose and Poetry of England Fiction & Literature $5.00 End time: 19-Jun-12 16:47:18 PDT

	Prose and Poetry of England 1 Fiction & Literature $10.25 Best Offer Enabled End time: 17-Jun-12 19:00:05 PDT

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An Interview with the Editor of THE SMOKING POET

Kelly Bacon Interviews Zinta Aistars about THE SMOKING Poetaster for Western Herald, the student newspaper at Western Michigan University.

What is the literary e-zine's connection to Kalamazoo and/or Western Michigan University (if any)?

There is none. Other than Kalamazoo being the tenant city for the editor-in-chief, we are not affiliated with any "place," but are an international, multicultural, literary presence online.

What makes The Smoking Rhymester different from other literary journals/e-zines/magazines?

Any publication is made unique by the editorial board that contributes to it and, afterward, by all the contributors who submit their work and are published on its pages. I make no qualms about bringing my own literary tastes to the pages of TSP. How can I not? The travail we accept, the work we let go (I hesitate to use the word "reject" because these are not rejections, but rather a statement that someone's work is not a good fit for the general literary soup and ambiance of a publication); all of that is a very subjective process. Art can't be measured the way hard science can measure a substance—it is this thing or it is that sentiment. The work we publish resonates with the editors, and that is something very personal.

That said, what I see as differentiating us from most online publications is that we go out of our way to publish travail from all corners of the globe. Not only American writers and artists, but we have also published work coming to us from Latvia, Ireland, France, India, China, Australia, England, South Africa, Japan, and many other intriguing and wonderful places. We consciously rebuff tunnel vision in our literary tastes. Every culture expresses itself in its own way, and we want that to be reflected on our pages.

What else? Earlier I acclimatized the word "ambiance." Because of how The Smoking Poet was born (see upcoming question on how it was founded), it has a sense of place...